«Художня рецепція» як механізм сприйняття творів християнського сакрального мистецтва

Abstract

Християнське сакральне мистецтво, і сама людина, визначаються як системи, для яких характерним є саморозвиток та негентропія, що дозволяє розглядати специфіку впливу творів християнського сакрального мистецтва на людину з точки зору механізмів рецепції, зокрема художньої рецепції. Доводиться, що сутність явища «художня рецепція» доцільно розглядати, як результативність процесу сприйняття реципієнтом твору християнського сакрального мистецтва. Сенсом явища «художня рецепція» визначається психічний механізм уподобання резонансно-привабливих ознак художнього релігійного образу у процесі його сприйняття.

Christian sacred art, and the person himself, are defined as the systems characterized by self-development and negentropy; this makes it possible to consider the influence of sacred art works on the man from the point of view of reception mechanisms, namely, art reception. It is proved that the essence of the phenomenon «art reception» is worth considering as the effectiveness of the perception process of Christian sacred art by the recipient. A psychological mechanism of resonance attractive feature preference of the art religious image during its perception is determined as the meaning of the «art reception». It is proved that during the process of impact on the man by the art work, including the sacred, and perception of the meaning of this work, the art reception equals in functions to the feed-back mechanism among the elements «the author of the sacred art work-the sacred art work – the believer – the saсred art work». That is, within the issue under study, in accordance with the theory of reflection, this mechanism allows the recipient by means of adaptation or preference to choose, primarily, resonance attractive (consonant) signals generated by artwork through images, combination of sounds, visual semantic configuration, and ideas of moral and aesthetic character and to take them in the form of personal views. It is determined that «artistic reception» is an integral part of the mechanism of conscious psychological reflection that is implemented in the context of the operating system «the author of the sacred art work – the sacred art work – the believer – the saсred art work». This component allows a person-recipient of a sacred art work, as well as its author in the process of its creation, to take them emotionally appealing by means of reflexive preference of resonance attractive (consonant) features of the artistic image, namely, visual and semantic configurations, moral and aesthetic ideas, subjective in their nature. Afterwards it will contribute to forming inclination to subdue them to individual and public behavior. It is proved that the essence of the phenomenon of «artistic reception» is a psychic mechanism of preference of resonance attractive (consonant) features of the artistic image during its perception. At the same time, although artistic reception corresponds in certain characteristics to the generally accepted objective patterns and mechanisms of its operation, but in the process of human perception of precisely sacred art works, it has other implementation consequences. The reason for it should be searched in the specific content of the artistic image which is characteristic to the sacred art.